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Joined 3 years ago
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Cake day: June 12th, 2023

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  • Good point. There are repetitive signals that her expectation is that he hasn’t materially changed.

    Beyond the ‘you grew up’ startlement at his physical growth and development, she expects his temperament, preferences ambitions and values are exactly the ones she saw in him at six years old.

    She’s not just missed the past year as a cadet in Starfleet, they both have missed his entire adolescent experience of youth separating themselves from their parents.

    Interestingly, the challenge of needing to catch up with who someone has changed into is foreshadowed by Caleb and the others’ difficulties in understanding who SAM is now - and her own struggles to reconcile who she was with who she is.



  • Well, that’s a lot. I’m not sure why I didn’t expect a cliffhanger, and I hope there won’t be one at the end of the season.

    As we saw the wall of omega-47 mines, it occurred to me that Brakka had told Ake what he wanted in episode 6 — a return to the isolation of planets that gave him and the Venari Rahl their power — but neither she nor Vance appreciated the scale of his ambitions to return to the anarchy of past century.

    And the Federation should have anticipated this kind of challenge to come from some quarter, even if they’d come to detente with the Emerald Chain. Those who benefited from the systems that were built up over the century of the Burn would have nostalgia for it and distrust against the Federation would not vanish quickly.

    I appreciate the narrative structure of the season, Anisha and Caleb Mir represent those who struggled to get by around the powers and forces of the Burn. There is a personal story and a societal story about making choices to take the risk to move towards something better — as found family and as a society.

    As it goes on, this show reminds me increasingly of The Magicians, on which SFA showrunner Noga Landau was a head writer at one point. There’s the quotidian developmental, coming of age challenges of students in their undergraduate years juxtaposed with massive and truly menacing events.














  • Flix Patrol just compiles the public rankings from the streamers themselves as far as I know.

    Parrot Analytics used to make public their rankings that incorporate everything available, including social media volumes, and presumably ‘alternative views’. They were excellent leading indicators and covered many markets that the other metric companies didn’t. However, they stopped making their top ten streaming shows list available, let alone their show by country details, and we don’t see them reported in entertainment media as we once did.



  • I have no issues with the ‘dots’ given this is the 32nd century. It really puts the fine point on assigning physical labour as a disciplinary measure.

    The lens flare is part of a directional code that’s getting dated at this point. I notice that in the premiere - which Kurtzman directed himself - he went for long camera pans with fewer jump cuts, and fewer lens flares.

    As long as Osunsami remains the supervising EP and supervising director in Toronto however, I don’t think that it’s likely we’ll see Kurtzman’s own style of direction reflected in the shows.